I was just really bored at home, after the tour, and I’ve worked on them. Shizu: They are very funny, I would like to put them on my mobile phone, for when someone calls me! Who did them?ĭino: Yes, they all come from an old little Casio, of 1998. Shizu: I’ve found in the web some “Casio Remix”, can you tell me something about it? Shizu: Do you expose them on the back of the stage?ĭino: Yes, we usually bring some easels, you know, and we’ll get some of them here when we’ll be able to do that. Could it be one of your projects to bring your paintings in your future live shows?ĭino: Yes in the USA we do that usually, but bring in advance the paintings over here it would have been a trouble. Shizu: You seem interested in the contamination between music and visual arts. Well, I understood that they are sad just because they look down, they never look up, and so I wanted to know if there’s a link between the direction of their eyes and something like hell, or paradise, spirituality. Shizu: Everyone is sad, also the penguin is sad, and I wanted to know why. And why all the figures are so sad?ĭino: …because they’ve lost their dog?. Shizu: Is it Drew who made all the paintings inside the booklet of Catch Without Arms? Drew and I paint, we use that to advantage the band, be able to do it ourselves. Shizu: Is it so important for you to cure the artwork, or only music is important and then the artwork is something like a “way to make it better”?ĭino: Yes, it is a way to make it better, and we like to be in charge of how we display all the music, so.
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